His one arm was on the handrail as he moved his foot to my same step. I waited at the end, needing to cover the last two steps. I grunted and was acutely aware of how he was right behind me up the two flights of stairs to our class.Ī line of students stopped at the top, waiting to enter the room. He curved his lips up, pleased to have caught me off guard. Shay Coleman smirked down at me, his body close enough that I felt a draft of warmth from his heat. I reached for the door handle, opened it, and it was caught by a hand above mine. It was nine-fifteen when I spotted my poli-sci building. Everyone forgot about the library, because who was really there so early in the morning?Ĭoffee ordered, paid for, then picked up, and I was back outside. Everyone grabbed their coffee from the coffee shop on campus, or a few in the food court. There was no time for breakfast, but I veered by the library. I got behind a group of five girls leaving the dorm. Nod of approval.īag was already packed from the night before-and after a light coating of lip-gloss and swipe of eyeliner, I was out the door. It felt like an elephant was sitting on my shoulders when I got up, but I had to hurry it up.
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Snow White was nominated for Best Musical Score at the Academy Awards in 1938, and the next year, producer Walt Disney was awarded an honorary Oscar for the film. Worldwide, its inflation-adjusted earnings top the animation list. Adjusted for inflation, it is one of the top-ten performers at the North American box office and the highest-grossing animated film. The popularity of the film has led to its being re-released theatrically many times, until its home video release in the 1990s. Despite initial doubts from the film industry, it was a critical and commercial success and, with international earnings of more than $8 million during its initial release (compared to its $1.5 million budget), it briefly held the record of highest-grossing sound film at the time. Snow White premiered at the Carthay Circle Theatre in Los Angeles, California on December 21, 1937. The production was supervised by David Hand, and the film's sequences were directed by Perce Pearce, William Cottrell, Larry Morey, Wilfred Jackson, and Ben Sharpsteen. Based on the 1812 German fairy tale by the Brothers Grimm, it is the first full-length traditionally animated feature film and the first Disney animated feature film. Snow White and the Seven Dwarfs is a 1937 American animated musical fantasy film produced by Walt Disney Productions and released by RKO Radio Pictures. So when people start to die-that is, people who aren’t supposed to be dying, people who have committed grievous crimes against the innocent-Lex’s curiosity is piqued. Yet her innate ability morphs into an unchecked desire for justice-or is it vengeance?-whenever she’s forced to Kill a murder victim, craving to stop the attackers before they can strike again. Along with her infuriating yet intriguing partner Driggs and a rockstar crew of fellow Grim apprentices, Lex is soon zapping her Targets like a natural born Killer. Lex quickly assimilates into the peculiar world of Croak, a town populated entirely by reapers who deliver souls from this life to the next. And he’s going to teach her the family business. But Uncle Mort’s true occupation is much dirtier than that of shoveling manure. Fed up with her punkish, wild behavior, her parents ship her off to upstate New York to live with her Uncle Mort for the summer, hoping that a few months of dirty farm work will whip her back into shape. Sixteen-year-old Lex Bartleby has sucker-punched her last classmate. Some argue that advances in artificial intelligence (AI) will probably result in general reasoning systems that lack human cognitive limitations. Technological researchers disagree about how likely present-day human intelligence is to be surpassed. the Chinese room argument) or first-person consciousness ( cf. Following Hutter and Legg, Bostrom treats superintelligence as general dominance at goal-oriented behavior, leaving open whether an artificial or human superintelligence would possess capacities such as intentionality (cf. The program Fritz falls short of superintelligence-even though it is much better than humans at chess-because Fritz cannot outperform humans in other tasks. University of Oxford philosopher Nick Bostrom defines superintelligence as "any intellect that greatly exceeds the cognitive performance of humans in virtually all domains of interest". A superintelligence may or may not be created by an intelligence explosion and associated with a technological singularity. "Superintelligence" may also refer to a property of problem-solving systems (e.g., superintelligent language translators or engineering assistants) whether or not these high-level intellectual competencies are embodied in agents that act in the world. For the 2020 film, see Superintelligence (film).Ī superintelligence is a hypothetical agent that possesses intelligence far surpassing that of the brightest and most gifted human minds. For the book by Nick Bostrom, see Superintelligence: Paths, Dangers, Strategies. Little Bee flees Nigeria as a refugee due to the violence of an unnamed oil war. Cleave lives in London with his French wife and three children. In 2012 Cleave published his third novel, Gold, and in 2016 published Everyone Brave is Forgiven, which immediately topped the New York Times Best Seller list. Little Bee suffered initially slow sales, but by 2009 word of mouth propelled it to the top of both the Sunday Times and the New York Times Best Seller lists. In 2008, Cleave published The Other Hand, titled Little Bee in American and Canadian editions. Cleave’s debut novel, Incendiary, won the 2006 Somerset Maugham Award and made the shortlist for that year’s prestigious Commonwealth Writer’s Prize and has since become a film. Before becoming an author, Cleave attended the University of Oxford to study experimental psychology and worked in a variety of jobs, including as a barman, sailor, teacher, journalist, and early internet entrepreneur. Chris Cleave was born in London on May 14, 1973, but spent the first eight years of his childhood in Cameroon, which shares its western border with Nigeria. This is a densely forested region with its own unique ecosystem. The setting is the Sunderbans mangrove forest in the northeast of Bengal. Three people from different ways of life come together when Piya, the marine biologist, hires the urbane Kanai and the illiterate Fokir to accompany her to the Sunderbans to track river dolphins.įirst up, I want to talk about the setting. This is a straightforward book, but at the heart of it lies a lot of complexity. Together the three of them launch into the elaborate backwaters, drawn unawares into the powerful political undercurrents of this isolated corner of the world that exact a personal toll as fierce as the tides. Piya Roy, a young American marine biologist of Indian descent, arrives in this lush, treacherous landscape searching for a rare species of river dolphin and enlists a local fisherman and a translator. Off the easternmost corner of India, in the Bay of Bengal, lies the immense labyrinth of tiny islands known as the Sundarbans, where settlers live in fear of drowning tides and man-eating tigers. She’s a crucible-able to change heat into force. In this Salem, Lily’s fevers give her power. Desperate to get back home, Lily unwittingly becomes embroiled in the struggles of new friends. Realizing she can’t trust her doppelganger, Lily flees, stumbling into Rowan, a man once harmed by the true Lady of Salem. It appears that Lillian, an alternative version of Lily, summoned her from this other Salem. Suddenly, she appears in an unfamiliar version of her town and is greeted as the Lady of Salem. When her best friend and unrequited love, Tristan, betrays her at a party, Lily finds herself listening to a mysterious voice inside her head that offers a way out. Lily Proctor leads a painful life in Salem, Massachusetts, stricken with seizures and responsible for the care of her schizophrenic mother. Once meek and tormented by debilitating allergies, a girl is transported to an alternate universe and becomes a staggeringly powerful witch. And if you throw a story about Ireland into the mix, well, I’ll be ready to plop down some money for the trip. I think that’s why I’ve increasingly spent time with aspirational genre fiction, the spy novel or murder mystery that is far better than its neighboring peers on nearby bookshelves but will never be confused with Faulkner. The Gatsbys and the Godfathers of the world are great, but sometimes it’s more interesting to consider the ones that don’t reach those heights, like a stained glass window where the pieces don’t quite line up. I’ve always been drawn to “three star” art, the sort of books, movies and television that longs for and even approaches perfection but has just enough flaws to hold it back. Recognising certain grammar structures as lexical items means that they can be introduced much earlier, without structural analysis or elaboration. If I were you…, I haven’t seen you for ages etc. It also includes certain patterns that were traditionally associated with the grammar of a language, e.g. Why use a technical term borrowed from the realm of linguistics instead of the word 'vocabulary'? Quite simply because vocabulary is typically seen as individual words (often presented in lists) whereas lexis is a somewhat wider concept and consists of collocations, chunks and formulaic expressions. The term 'lexis', which was traditionally used by linguists, is a common word these days and frequently used even in textbooks. In the past linguists were preoccupied with the grammar of language however the advances in corpus linguistics have pushed lexis to the forefront. The shift in ELT from grammar to lexis mirrors a similar change in the attitude of linguists. I consider the problems with 'traditional' grammar teaching before arguing that what we actually need is more grammar input as well as showing how lexis can provide necessary 'crutches' for the learner.įor more on the Lexical Approach see other articles on the TE website: There were guidelines for community engagement which facilitated open conversations and made me feel safe to vulnerably engage with people who I did not previously know. The content was written in language that did not require prior knowledge or use jargon and concepts I may not have been familiar with. It was a manageable two chapters of reading each week. The C-SED book club ended up being right up my alley. I decided to join C-SED’s first book club last summer which focused on Kat Holmes’ book Mismatch: How Inclusion Shapes Design. Now, as a gradua te student studying business and sustainability and operating in a more interdisciplinary context, I was curious to engage with these conversations around inclusion and design. When I was an undergraduate engineering major, I learned about design but never had conversations about inclusivity and the impact that our designs were having on perpetuating inequities. |